Yesterday my wife finally got around to sorting her bag out. At least two coins in there are no longer in circulation.
Speaking of Time: posted three years ago.
Time, please be gentle.
A while ago, on Facebook, I stumbled across this photograph of my old Swedish friend Agnetha Fältskog, taken from the first Abba Greatest Hits album of 1975. If you look closely, you will see that inserted into her hand is a copy of her last solo album, A, released in 2013. Both albums, both images, separated by thirty-eight years, stand, in a way, like chronological bookends of a linear journey. Of her linear journey, along that particular period of her life. In between, of course, much has changed. For better, or for worse. Such is life.
I like to think that the photoshopping artist, whoever he or she may be, has, like I, a penchant for both history and continuity, similarly casting an appreciative eye over the progressive journey, yet, also, being cut to the quick by the unstoppable, winnowing effect of time itself.
There is a song on Agnetha’s…
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Stood in the playground a few years ago, waiting for my young son at hometime. The doors opened and out he trundled.
“Dad-I did it in my pants.”
“What?! You did what in your pants?!!!”
Have a great weekend everybody.
See you on the flip side.
I was saddened tonight to hear of the sudden death of Dolores O’Riordan. I used to like The Cranberries back in the 90’s, and the fact that she was the same age as I really hit home.
From Limerick, I loved that Irish accent of hers, haunting and evocative among the rolling guitar and drums.
Their music has been likened to singers such as Sinéad O’Connor and Siouxsie and the Banshees. O’Riordan stated her singing style incorporating yodeling was inspired by her father who used to sing “The Lonesome Cattle Call”: “I just kept with my father all the time, just copying him and eventually I learned how to do it. Then over the years there were artists like Sinéad O’Connor and Siouxsie from Siouxsie and the Banshees and even Peter Harvey was doing it. It was something that you could work into The Cranberries’ format because a lot of that was used in religious Irish music.”
The first song that brought them to my attention was the gorgeous ballad Linger with its dreamy vocal and strings, written about the singer’s first serious kiss. Almost twenty five years on this is still a favourite of mine.
The video to accompany Linger was shot in grayscale and is a tribute to Jean-Luc Godard’s 1965 noir film Alphaville.
Another favourite Cranberries track is the protest song Zombie, written in the wake of the Warrington bombing that claimed the lives of two children. O’Riordan is strikingly painted gold in the video, standing at the foot of a cross. Patrolling soldiers and children playing in Northern Ireland also feature.
Another head hangs lowly
Child is slowly taken
And the violence caused such silence
Who are we mistaken
the first time I encountered it I heard the ‘1916’ reference and thought it was about a traumatised ex-soldier, but I guess that works too, for victims of warfare and violence belong to a timeline that knows no end. As Dolores sings:
It’s the same old theme/Since nineteen-sixteen
I can recall many nights in my local pub in the nineties when this heavier Cranberries song was coming out from the jukebox. Some of them at the cost of my loose change.
R.I.P Dolores. Thanks for the music. Hope you’ve found peace.