New Year:The Last Words Of A Sentimentalist

Well as conversations go, I couldn’t see the problem.

The end of the year seems to make all of us into philosophers and analysts, and my wife was in suitably reflective mood. Looking back on 2013, she considered the highs and the lows, the blessings and the challenges. She paused when thinking of loved ones lost. She talked of the things that she had found trying, the uncertainties of life that caused her to worry, but also the successes that brought her great joy. She talked of our growth as a couple, and as a family, the way our children were continuing to blossom, and looked forward to greater opportunities for us all in 2014.

Then she asked me to give my perspective on 2013.

“Well, the most emotional parts was Agnetha Fältskog coming out of exile, and Tom Baker appearing at the end of the Doctor Who anniversary special.” 

It was when I saw the look on her face that I began to falter.

“Erm….” (where was I? Oh yes-emotional) “James Herbert dying too….I loved his books when I was younger.”

She seemed to be waiting for something else, but I couldn’t fathom what, and as the silence grew between us, she then said, in a very clipped fashion:

“And what about plans for 2014?”

I didn’t feel, exactly, that she was testing me, but I did begin to feel uncomfortable, and thought that the best policy was honesty:

“Well, I am expecting City to win the league.”

Best Wishes to you all from North Manchester General Hospital. Hope the year is a good one for all of us single people.

The Jonah

The Jonah

This was the first James Herbert book I turned to when forced to re-examine the role his books played in my youth when I heard the news of the author’s death. (See my post : ‘R.I.P The Death of James Herbert and My Childhood’ 26th March)

I chose this as it was the one out of his early novels that I recalled the least of, and so in a sense it was like reading it for the first time. To further wallow in nostalgia, this cover here is the one that I owned way back when it came out in 1981.

The Jonah is more supernatural than horror, which was regarded as his forte at that point, and it points the way towards the way his later books would go.

The main character Kelso is a man whose whole life has been punctuated by tragedy, which is told at intervals in the form  of flashbacks. Sent to a small, sleepy coastal town to investigate suspicions of drug smuggling, he ends up getting in above his head, and finally finds out why he is a ‘jonah’, and the reason behind the many tragic episodes, all in an apocalyptic finale.

Enjoyed it, will re-visit some of the other early Herbert books.

R.I.P The Death of James Herbert and My Childhood

James Herbert

I was so saddened to hear of the death of James Herbert on the 20th of March. Why? I never knew him. I never even met him. The closest I came to contact with him was an autographed leaflet advertising his new book, obtained by my mother, thirty years ago, who worked with his cousin.

The sadness arises from the passing of another link with my childhood. Perhaps its a turning forty thing. When I drank alcohol I could wallow in my beer. Now I cry into my coffee. Kicking off my slippers in frustration.

What on earth could the link be between childhood and books of gratuitous horror and sex? Perhaps  the answer is found within the question. But I began reading Herbert’s books when in my last year of primary school, aged around 11-12. Maybe not ideal fodder for a young mind-others were taking in Roald Dahl or Enid Blyton. The author of the Bobby Brewster range even paid us a visit. But I was reading above my age, and my interest was horror. Bloodthirsty kid that I was.

‘To Andrew, glad you like the books so much. Best Wishes James Herbert.’ I’ve still got it. There was no postscript suggesting I seek a counsellor. Or take part in a NSPCC therapy session. Or a recommendation that my folks attend a parenting class. If they had them then.

We were on a coach one day travelling back to school from a trip to Jodrell Bank, our necks still stiff from gazing heavenwards in the darkness of the Planetarium, when I heard my teacher, talking to some girls a few rows behind, mention my name. She saw me turn and explained “I just said ‘even I don’t read the books that Andrew Murray reads!'”

It didn’t bode well for parents evening.

My Mum returned, and among the usual platitudes said “She was a bit concerned about the types of books you read.”

“Why?” I feigned innocence.

She suddenly developed a stammer that had never been evident before: “She wants to know what you do abb..bout the er.er.. when you get to..to the ..erm. ”

“The sex bits!” my Dad interjected helpfully.

Innocent schoolboy lover of just the horror parts,of course, I answered ” I skip those.” My mum latched onto that in an instant, “That’s what I said.”

“You can’t bleedin’ skip them,” my Dad added with more authority than I thought usual.

But James Herbert’s books are what my early diet consisted of. Midway through my last year at that primary school a new girl started who also read James Herbert. A girl too! How cool was she?

Anyway, I got older, I moved on (in schools and books.) From Herbert I moved to King, and then out into the wider world of literature.  James Herbert’s books moved on too-from the more traditional horror fayre to a more supernatural style, which I wasn’t as enthusiastic about. But I think back to those early ones-The Rats, The Fog, The Dark, The Survivor, books I loved in a period of my life that I loved. I would lend them to my uncle who took them with him when he worked the night-shift (he is no longer with us.) I lent them to my mum (she has moved onto Catherine Cookson.)

So, for the part he played in my childhood, and into my early teens, I felt that sense of loss when hearing of his death. A sense of losing something from my past. I have experienced that unexpected reaction before.

Bill Bixby. I can recall the Saturday teatimes spent sat eating my ravioli, wearing my Six Million Dollar Man t shirt (please-someone give me some good news about Lee Majors) and watching the Incredible Hulk. I loved that programme, and was gutted when he died.

Mr McGee, don’t make me angry. You wouldn’t like me when I’m angry.

Peter Cushing-from the Hammer Horror films. Told you I was a blood thirsty kid.

George Harrison-I was a Beatles fan from being twelve, three years after Lennon died. I recall how I discovered about Harrison’s demise. It was my day off from work (I was a postman) and my partner at the time and I went into the local Global video store to get a couple of films. As she took them to the counter, I continued to browse, and one of my colleagues came in with the post for the store. He too was a Beatles fan. He greeted me, then “Hey-what about George?” With some trepidation, I replied “What about him?”

“He’s died.” I shouted across the store “Put those videos back-George Harrison has died!” It was a day of watching MTV instead.

Aww and recently Elizabeth Sladen-my Sarah Jane Smith. (The wife rolls her eyes.)

Each time one of these figures die, along with what to me they represent, it is like a fragment falls away. Another signpost removed.

Perhaps it is a morose, turning-forty-thing. The lot of the moribund.

Perhaps I am being overly sentimental.

But I have heard among the many tributes countless similar tales, of how Herbert’s books was a visual soundtrack to the teenage years of so many. Of course, many remained fans throughout without falling away.

It is a little disingenuous of me to refer to him merely as a stepping stone to Stephen King. I think I may revisit some of those early books from an adult perspective, albeit awash with nostalgia. I think back to my old primary school teacher. I like to think that curiosity got the better of her and she dipped her toe in and became a fan. Perhaps he was a stepping stone for her too.

Perhaps somewhere out there she is turning off her lamp, with the ubiquitous Mr Grey on her bedside table.

James Herbert R.I.P