I woke this morning to the news that Debbie Reynolds had died, just one day after Carrie Fisher. The strain must have been just too much for the aged star. “She’s now with Carrie and we’re all heartbroken,” said her son, Todd Fisher. “She said, ‘I want to be with Carrie’, and then she was gone.”
Debbie wanting to be with her daughter is a nice thought, but what a time their family must be going through. On hearing the news, the lyrics of Ja Rule came to mind:
If pain is truly love,
for my family I die.
R.I.P both mother&daughter.
Found in Judea, this is the oldest representation (11,000 years old) of a human couple making love.
Knew you’d like it.
In honour of Dylan’s recently bestowed honour, I thought I’d repost this from the summer just passed.
I’m behind with my Springwatch. So much so that it is now summer. I watched one of the episodes I recorded yesterday, and learned an amazing fact about the nightingale.
This bird, in an attempt to woo a female mate, chooses around 600 notes, and then combines them into about 250 phrases. From these it produces its song, and every time it sings, its song is different every single time.
Think about that: from the combination and variants open to them, every time these birds sing, they never repeat the same song. Each time they come up with something original.
The latest research seems to indicate that females select males on the quality of his song, because the nightingales that sing the best are the best providers of food for chicks. Ready to pull, they clear their throat and give it there all.
Never worked for me on Karaoke night.
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Recently was the fifteen-year anniversary of the September eleventh attacks. For my generation, this was our JFK moment, where everybody remembers where they were when they first heard, or saw, the terrorist atrocity taking place.
At the time I was a postman here in Manchester, and had just caught up on my sleep with a couple of hours in the afternoon. I saw it all unfold, disbelievingly, as I was getting ready to pick my daughter up from school.
On the mantelpiece was a postcard, having arrived that day, from a woman who I had known for many years. We’d first met in infant school, and became best friends in high school, that close friendship continuing long into my adult life. The postcard was from New York, and among the scribbled lines was a throwaway comment that she was intending to go up one of those towers that I’d just seen erupting into flames.
After a few frantic calls, (in the days before we both had mobiles), I discovered that her mother had heard from her: she was safe in L.A. She had been about to travel to San Francisco until all of the planes had been grounded, stranding her there.
This was the first shaking of my complacency about our long relationship.
Today we are married, with children. I’ve seen the photographs she took from the top of one of those towers just a couple of days before it collapsed, unable to fathom the sheer desperation that could force people to jump from such a height.
I wrote a poem not long after that tragic day, a long one called American Trilogy. It wasn’t about 9/11 per se, but it did feature. How could it not.
The poem didn’t make into my book. Perhaps one day I will publish it in its entirety.
Here I post the closing lines, referring to that day and the idea that my lifelong friend was over there. Somewhere.
I received word across
that your wings
were torn upon the besieged
your eyes reaping shelter
from a holocaust
A pre-emptive strike
at my complacency,
praying for an eye in the storm.
And you, snug in a motherland
of flag-waving lambs
where everyone wants to be quarterback,
everyone wants to be General,
everyone wants to lay the homecoming queen.
Icons in an American dream.
©Andrew James Murray
I had one of those moments tonight when everything just feels right, when, in some kind of revelatory sense, a glimpse of something extraordinary and meaningful filters through into the everyday life.
I was sat at a table in an Italian restaraunt. We were in between courses, and I found myself in a moment in which, paradoxically, I felt both detached and totally connected.
I sat back in my chair, looking at my two daughters facing me, laughing away as they played some kind of intuitive game together, oblivious to everyone else present in their giggles and playfulness. I shifted my gaze to their right, and my son was sat there sucking on a slice of lemon he had fished out of his glass of coke, absorbed in his own personal explorations and trials.
I turned to my right, where my wife was engaged in an intimate conversation with a good friend of ours, totally at ease in an immediacy of trust that had been brokered over several decades.
I felt no desire to break my silence and join in with any part of this portrait, to engage with either child or adult. I was content to just take in all of this as though I was some invisible witness, unsensed and undetected, and any sudden involvement on my behalf would break this blissful spell. I sat there among these people that I love, joined together around two covered tables, feeling a part of something bigger than myself, drinking it all in in great, savouring gulps.
Outside a dark December night was pressing up against the windows, held at bay by the warmth and light of this perfect evening.
In this eternal now, life was a blessing.
Everything was right.
The echo of gone confessions, sounding among dancers unable to dance. The sorrow of lovers unable to kiss, without the prying eyes of hindsight. ©AJM