I’ve just been watching a magpie hiding a biscuit beneath a leaf. I’ve got kids like that.
Kittiwakes Kittiwakes on iron girders, man-made cliff edges to which they return to breed away from the tumult of the North Sea, settling upon this industrial, rusting enclave, still singing of the waves at two in the morning. ©Andrew James Murray
In honour of Dylan’s recently bestowed honour, I thought I’d repost this from the summer just passed.
I’m behind with my Springwatch. So much so that it is now summer. I watched one of the episodes I recorded yesterday, and learned an amazing fact about the nightingale.
This bird, in an attempt to woo a female mate, chooses around 600 notes, and then combines them into about 250 phrases. From these it produces its song, and every time it sings, its song is different every single time.
Think about that: from the combination and variants open to them, every time these birds sing, they never repeat the same song. Each time they come up with something original.
The latest research seems to indicate that females select males on the quality of his song, because the nightingales that sing the best are the best providers of food for chicks. Ready to pull, they clear their throat and give it there all.
Never worked for me on Karaoke night.
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I saw this yesterday while waiting for the 163 bus. My son James wasn’t sure if it was real, or alive, but I think that like everything else in Bury bus station it had given up the will to live.
You can’t help but walk around craning your neck as you look high. It’s the unusual juxtaposition of these monoliths of light framed against the night sky. They draw your vision skyward, dwarfed by our own creations.
With a view to remembering, I had set off on my final night’s walk, crossing the bridge behind my hotel, at dusk.
I took the same route as last time, but this day being a Sunday meant the atmosphere was more subdued, the army of office workers gone, leaving behind a vacuum for nature and a wandering Manc to fill.
I had this familiar, definite trail in mind, but, as often happens, it was birds that led me astray.
As darkness fell, I heard gulls somewhere overhead. Studying the night sky, I could make out their aerial skirmishes beneath the towering cranes.
I began to walk towards the direction the birds had flown in, now aware that I could hear the carcophonous shrieking of many others somewhere up ahead. And so they led me from my safe and ordered plan.
They took me to a point called Limehouse Lock, a part of Canary Wharf I hadn’t been to before. I stood there, against iron railings, peering out to locate the gliding forms.
There were hundreds of gulls-skimming above the dark waters of the Thames. Some low, just above the surface, some higher, all moving as one great flock.
Don’t gulls sleep at night, even in a city that doesn’t sleep?
At night it is always dark water. I could remember looking out over the Saltsjön one evening in Stockholm, regarding the depths there as black water. Expansive and ominous, deep and threatening, I thought of Lindqvist’s book Harbour. In that novel, the writer made an evil entity out of the whole body of water, no doubt influenced by the death of his own father who was lost at sea.
I could imagine it, this great mass, untameable and omnipresent, claiming all who are foolish enough to try to master it.
I stayed for a while. Away from the bright lights of the city, here was the greater thrill: being led to somewhere different, somewhere new, by these feathered guides. Watching them move uninhibited en masse over the masking shadows of the Thames.