I’ve just started reading Jack Finney’s The Body Snatchers.
Invasion of the Body Snatchers and The Thing From Another World are my favourite 50’s sci-fi films, and though I’ve watched Invasion many times over the years it’s taken me this long to read the book. I’m not sure why. The same thing happened with Jaws.
Jaws is one of the few instances, possibly the only instance, where I’ve preferred the movie adaptation to the book itself, and as I love the Body Snatchers film perhaps the same thing will happen now. My expectations are, though, that I’ll at least be checking the garden shed and beneath the decking for pods. Anything less and I’ll be disappointed.
The title of this post is, of course, taken from the movie, and there’s another line which, if you substitute the name Becky for Andy, I’m sure my wife could relate to:
I’ve been afraid a lot of times in my life. But I didn’t know the real meaning of fear until… until I had kissed Becky.
I’ve just heard that Margot Kidder has died, aged 69, and immediately my mind turned to Saturday matinees at the local cinema in the late seventies/early eighties. The cinema is long gone but the memories remain.
As it was Oscar night last night, I thought I’d post these photographs of my favourite actress’ two Oscar wins: Vivien Leigh in 1940 for Gone With The Wind and in 1952 for A Streetcar Named Desire.
I was going to stay up and watch the awards live (last night’s I mean, not Vivien’s, as it’s kinda hard if you’re not yet born), but the flesh was weak and I recorded it instead to watch later.
But as always it’s difficult to avoid spoilers. I was pleased that Gary Oldman won Best Actor for Darkest Hour and Frances McDormand won Best Actress for ThreeBillboards Outside Ebbing, Missouri. I saw both of these films and predicted both stars for the honours after enjoying both movies. I got Best Film wrong though, tipping Three Billboards which was my favourite. But two out of three ain’t bad.
This is a teaser trailer for a forthcoming short film made by a talented friend of mine by the name of Catherine Stepien. Having worked in film for a while, mainly within wardrobe and production design, Soul Mother is very much her project. Being her debut directorial outing, she also wrote the script, created the effects, designed the production and dealt with make up and wardrobe.